Women in Concert: An
Anthology of Bengali Muslim Women’s Writings 1904-38
Edited by Shaheen Akhtar and Moushumi Bhowmik
Foreword by Firdous Azim
demy octavo
hb 440pp ISBN 81-85604-57-6 Rs 600 Oct 2008

Divided into two parts, Part 1, Women’s Writings, offers the contributions of eleven women: Begum
Rokeya Sakhawat Hossain and her contemporaries like Khairunnesa Khatun, Mrs. M.
Rahman, M. Fatema Khanam and Nurunnesa Khatun Vidyavinodini. About twenty years
later, came Akhtar Mahal Syeda Khatun, Fazilatunnesa, Mahmuda Khatun Siddiqua, and
Razia Khatun Chowdhurani. Two women who were associated with Begum Rokeya were
Shamsunnahar Mahmud, a writer and later a policy maker in Bangladesh, and Sufia
Kamal, the famous poet and activist.
Part 2, Conversations,
presents discussions with Sufia Kamal, family members and relatives of the
writers and eminent people who shared the political and literary concerns of
those times. Firdous Azim has provided an insightful Foreword.
Firdous Azim is
chairperson, Department of English and the Humanities, BRAC University, Dhaka. Shaheen Akhtar is a well-known
Bangladeshi writer whose novel Talaash won the Prothom Alo award
(2004); she edited Sati O
Swatantara:Bangla Sahitye Nari, 3-vols (2007).
Moushumi Bhowmik is
a writer, researcher and singer based in Kolkata.
Review:
'Bengali Muslim writers, all of whom happen to be women,
writing in the early decades of the 20th century, negotiating with modernity
and nationalism, speaking of radical feminist concerns often from behind the
veil, making a call for freedom and equal opportunities having pulled
themselves out of the mire of disadvantage, exhorting their sisters to wake up
from long centuries of sleep, the writers included here do all this and more
with guts and gumption. Writing in dobhashi Bengali, with its liberal sprinkling
of Arabic and Persian, they reveal how linguistic, cultural and religious
differences can mutate to produce hybrid writings that meet the needs of a
cross-fertilized society. The editors of this anthology have showcased writers
who listened to the many voices but interpreted them in their own unique way.
The canonical writing of Begum Rokeya Sakhawat Hossein showed the way for many
of these women.'
Rakshanda Jalil: The Hindu ,19 April 2009
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